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view listWestern Cemetery: G 2175
Stone-built mastaba
Harpur Date: Userkaf -- Neferefre
PorterMoss Date: First half of Dynasty 5
PorterMoss Date: First half of Dynasty 5
Attested: Peri (in G 2175)
Attested: Menib (in G 2175)
Attested: Tjenti (in G 2175)
Excavator: George Andrew Reisner
American, 1867–1942
Attested: Iyni (in G 2175)
Attested: Akhitef (in G 2175)
Attested: Menkaure-weser (in G 2175)
Attested: Nikauneith (in G 2175)
Tomb Owner: Nedju (G 2175)
Attested: Tekat (in G 2175)
Attested: Ankhesenptah(?) (in G 2175)
Attested: Hepetka (in G 2175)
Tomb Owner: Khnumnefer (G 2175)
Attested: Menib (in G 2175)
Attested: Tjenti (in G 2175)
Excavator: George Andrew Reisner
American, 1867–1942
Attested: Iyni (in G 2175)
Attested: Akhitef (in G 2175)
Attested: Menkaure-weser (in G 2175)
Attested: Nikauneith (in G 2175)
Tomb Owner: Nedju (G 2175)
Attested: Tekat (in G 2175)
Attested: Ankhesenptah(?) (in G 2175)
Attested: Hepetka (in G 2175)
Tomb Owner: Khnumnefer (G 2175)
Shafts: G 2175 Serdab; G 2175 Chapel; G 2175 A; G 2175 B; G 2175 C; G 2175 D; G 2175 E; G 2175 X; G 2175 Y
Remarks: This is a composite mastaba with nucleus belonging to Nedju, altered and increased in size to include the chapel of Khumnefer.
Selected bibliographical references:
Fisher, Clarence S. "The Harvard-University-Museum of Fine Arts Egyptian Expedition." BMFA 11, No. 62 (April 1913), p. 22.
Lehmann, Katja. Der Serdab in den Privatgräbern des Alten Reiches 1-3. Ph.D. Dissertation, Universität Heidelberg, 2000, Kat. G115.
Manuelian, Peter Der. "A Re-examination of Reisner's Nucleus Cemetery Concept at Giza. Preliminary Remarks on Cemetery G 2100." In Miroslav Bárta, ed. The Old Kingdom Art and Archaeology. Proceedings of the Conference held in Prague, May 31-June 4, 2004. Prague: Czech Institute of Egyptology, 2006, p. 225.
Porter, Bertha, and Rosalind L.B. Moss. Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings 3: Memphis (Abû Rawâsh to Dahshûr). Oxford: The Clarendon Press, 1931. 2nd edition. 3: Memphis, Part 1 (Abû Rawâsh to Abûsîr), revised and augmented by Jaromír Málek. Oxford: The Clarendon Press, 1974, p. 80.
Reisner, George A. A History of the Giza Necropolis 1. Cambridge, MA: Harvard University Press, 1942, pp. 268-269, 313.
Smith, William Stevenson. A History of Egyptian Sculpture and Painting in the Old Kingdom. London: Geoffrey Cumberlege, Oxford University Press on behalf of the Museum of Fine Arts, Boston, 1946, p. 191.
Fisher, Clarence S. "The Harvard-University-Museum of Fine Arts Egyptian Expedition." BMFA 11, No. 62 (April 1913), p. 22.
Lehmann, Katja. Der Serdab in den Privatgräbern des Alten Reiches 1-3. Ph.D. Dissertation, Universität Heidelberg, 2000, Kat. G115.
Manuelian, Peter Der. "A Re-examination of Reisner's Nucleus Cemetery Concept at Giza. Preliminary Remarks on Cemetery G 2100." In Miroslav Bárta, ed. The Old Kingdom Art and Archaeology. Proceedings of the Conference held in Prague, May 31-June 4, 2004. Prague: Czech Institute of Egyptology, 2006, p. 225.
Porter, Bertha, and Rosalind L.B. Moss. Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings 3: Memphis (Abû Rawâsh to Dahshûr). Oxford: The Clarendon Press, 1931. 2nd edition. 3: Memphis, Part 1 (Abû Rawâsh to Abûsîr), revised and augmented by Jaromír Málek. Oxford: The Clarendon Press, 1974, p. 80.
Reisner, George A. A History of the Giza Necropolis 1. Cambridge, MA: Harvard University Press, 1942, pp. 268-269, 313.
Smith, William Stevenson. A History of Egyptian Sculpture and Painting in the Old Kingdom. London: Geoffrey Cumberlege, Oxford University Press on behalf of the Museum of Fine Arts, Boston, 1946, p. 191.
Publications (PDFs) in Giza Archives Library:
Fisher, Clarence S. "The Harvard University -- Museum of Fine Arts Egyptian Expedition: Work of 1912 at Gizeh and Mesheikh." Bulletin of the Museum of Fine Arts, Boston 11, No. 62 (April 1913), pp. 19-22. Lehmann, Katja. Der Serdab in den Privatgräbern des Alten Reiches 1. Text. Ph.D. Dissertation, Universität Heidelberg, 2000. Lehmann, Katja. Der Serdab in den Privatgräbern des Alten Reiches 2. Abbildungen. Ph.D. Dissertation, Universität Heidelberg, 2000. Lehmann, Katja. Der Serdab in den Privatgräbern des Alten Reiches 3. Katalog. Ph.D. Dissertation, Universität Heidelberg, 2000. Porter, Bertha, and Rosalind L.B. Moss. Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings 3: Memphis (Abû Rawâsh to Dahshûr). Oxford: The Clarendon Press, 1931. 2nd edition. 3: Memphis, Part 1 (Abû Rawâsh to Abûsîr), revised and augmented by Jaromír Málek. Oxford: The Clarendon Press, 1974. Reisner, George A. A History of the Giza Necropolis 1. Cambridge, MA: Harvard University Press, 1942. Smith, William Stevenson. A History of Egyptian Sculpture and Painting in the Old Kingdom. 2nd. ed. London: Geoffrey Cumberlege, Oxford University Press on behalf of the Museum of Fine Arts, Boston, 1949.
Fisher, Clarence S. "The Harvard University -- Museum of Fine Arts Egyptian Expedition: Work of 1912 at Gizeh and Mesheikh." Bulletin of the Museum of Fine Arts, Boston 11, No. 62 (April 1913), pp. 19-22. Lehmann, Katja. Der Serdab in den Privatgräbern des Alten Reiches 1. Text. Ph.D. Dissertation, Universität Heidelberg, 2000. Lehmann, Katja. Der Serdab in den Privatgräbern des Alten Reiches 2. Abbildungen. Ph.D. Dissertation, Universität Heidelberg, 2000. Lehmann, Katja. Der Serdab in den Privatgräbern des Alten Reiches 3. Katalog. Ph.D. Dissertation, Universität Heidelberg, 2000. Porter, Bertha, and Rosalind L.B. Moss. Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings 3: Memphis (Abû Rawâsh to Dahshûr). Oxford: The Clarendon Press, 1931. 2nd edition. 3: Memphis, Part 1 (Abû Rawâsh to Abûsîr), revised and augmented by Jaromír Málek. Oxford: The Clarendon Press, 1974. Reisner, George A. A History of the Giza Necropolis 1. Cambridge, MA: Harvard University Press, 1942. Smith, William Stevenson. A History of Egyptian Sculpture and Painting in the Old Kingdom. 2nd. ed. London: Geoffrey Cumberlege, Oxford University Press on behalf of the Museum of Fine Arts, Boston, 1949.
